Tuesday 28 May 2013

Body dropping

The fine art of body dropping or "tai otoshi" is the ability to suddenly drop your body but keep your alignment intact as you do so. It is a crucial part of TSYR and I enjoy training this body movement. It is not as easy as it sounds. What tended to happen when I first tried this was that I would let my arms "float". Or, as I dropped my body, my hips would pop backwards and ruin my alignment. Both these things are detrimental to keeping connection to your partner and maintaining good body alignment. The idea is to drop through your spine, this requires a completely upright posture through the whole movement.
Please don't confuse what I am talking about with the tai otoshi used in judo like throws. It is not a technique in itself but a body principle. Once I had some idea how to do it, I could use the body drop to throw partners once kuzushi was made. The effect is fast and dramatic and often it occurs before your partner realises what is happening. There is no 'tell'. As body movements such as these are refined, it gets harder and harder to tell when the uke/uchitachi is about to be thrown. It comes down to complete control of your own body to control another. The more you can isolate and manipulate your own structure, the easier I is to manipulate someone else on contact.
Of course the conditioning exercises that we do to develop a budo body aid in also developing such movements as tai otoshi.

Saturday 4 May 2013

Getting to know your sword


So, I now have my own, custom-made sword. It is Chinese made but was forged in the traditional manner. It is folded steel that has been differentially heated. I have made it a goal of mine to learn the Japanese terminology for the parts of the sword. I have found the whole experience fascinating. I have looked over numerous Youtube clips and other websites in my eagerness for knowledge.
So what do I know at this point (excuse the pun)?
Kissaski - the point of the sword.
Mune - the back of the blade.
Ha - the edge of the blade.
Hamon - the wavy line on the blade.
Tsuba - the guard.
Habaki - the brass piece that links blade to handle.
Seppa - the brass spacers.
Mekugi - peg that holds handle to tang.
Tsuka - the whole handle.
Same - ray skin wrap.
Saya - scabbard.
Sageo - scabbard cord.

This picture tells the story...

Of course knowing the parts of the sword allow me to look into sword disassembly and care but it is a tool for conflict and ultimately I do TSYR to learn how to use this weapon. 
First there is the practise of battojutsu, or sword drawing. It is a precise discipline and there is much to be gleaned in the four kata we learn at the basic level.
However, the real challenge is simple suburi, the repetition of simple movements such as men strikes. I can swing a bokken through 100 cuts but today, I cut with my sword for 50 cuts and found that swinging a piece of steel about requires conditioning. Something I do not have as of yet. I sit writing this with aching wrists, shoulders and back muscles (also an indication that my technique is poor).
I have a long journey ahead with my sword work, it is by far the weakest part of my practice. However, having my own blade and learning its balance, weight and length is enjoyable.

Now, back to training!