Licenses, gardens and the dojo.

 This post is going to be a bit of a rambling one. Lots of things have occurred on my martial arts/Japanese front lately that I would like to reflect on. 

First of all, Tobin Threadgill - the kaicho of Takamura-ha Shindo Yoshin Ryu - has released a list of names of kai members who have gained various levels of teaching license. This is the first time he has done this and the current pandemic has brought this about. Normally, he would offer licenses in person as he travelled the world. Obviously, this is not possible right now so he has followed a traditional approach that other budo follow whereby after the Japanese New Year (nowadays celebrated on January 1st), names of people are released who have gained promotions. This usually occurs around Kagami biraki (Opening the Mirror ceremony) on January 11th. 

It was quite a large list, the kai has over 200 members as far as I know and by far the largest group of license recipients were people who have obtained a chuden (second tier) teaching license, my instructor, Chris, included. Two other members of the Oceania group were granted a Shoden (first tier) teaching license, bringing the total number of licensed instructors in our area to five!  It also means we have two study groups becoming branch dojos. This is great for the growth of our area and the kai in general. 

What is even more exciting is that our two most senior instructors, Brent from the U.S. and Marco from Portugal, have been granted one scroll each from the Jodan (third tier) license. This represents their combined ability to teach the entire technical curriculum and is very important in ensuring the koryu can be fully transmitted. 

This weekend, to top it all off, Chris and a few of us from the Hamilton dojo are travelling to Auckland to train with those members there. It will be a good way to start the year and consolidate the NZ group. 

Closer to home, I have begun extending the Japanese garden. I felled three small trees which dropped leaves all year around. I was constantly removing the leaves from the existing Japanese garden, not to mention my gutters blocking up on the house. It was a relief to drop the trees and this gave me an area to extend the garden. 

The new area cleared for planting.

Once I had conditioned the soil by weeding it and adding fertilizer, I covered it with weed matting. The next decision was what to put in it. My elderly neighbour use to be a rock hound when she was younger so has many rocks in her garden. She had mentioned that I could use some if I needed so I went to talk with her and chose a rock she was willing to part with. 

The rock is actually petrified wood and the texture on this piece is amazing! I am very lucky to have such a generous neighbour. The rock is placed in the prestigious position of being the first part of the garden a visitor sees when they arrive in our driveway. Once the rock was placed, I went to a local nursery to buy plants. Two azaleas went in as well as some native ground cover plants called Pratia "Blue Stars". My wife had bought me a Griselinia plant which is a native New Zealand shrub. At the Hamilton Dojo we use this plant in place of Sakaki on either side of the Kamidana. Up until now I have been using artifical Sakaki leaves in my own dojo, but I can now use Griselinia. I have planted this shrub near the back of the garden.

Plants going in. 

One space remains in the garden for my feature plant. In each section of the Japanese garden, I have a taller specimen. In the first section I have a miniature Japanese Maple, in the second, clumping bamboo. The third section is exposed to strong winds so I am thinking of either a dwarf pine, Japanese Plum/Apricot or weeping cherry. Unfortunately, the last two plants are not available until our winter (June/July) so I may have to wait to completely finish the garden. As with the other sections, the empty spaces will be filled with white river pebbles. 

The final piece of news I have is that my friend Jules has finally pushed me into renovating the genkan of my dojo. Its been five years since the dojo was built and I have not done anything significant to the genkan. So recently the two of us took the walls back to the framing, removing the old sections of wall that still remained. Then we started to plan what we needed for new walls including insulation and lighting. 

Jules hard at work pulling the old wall lining down.

We also removed the old oil-stained carpet that was on the floor (the last owner was a car enthusiast) and Jules took it all away. I recently purchased some new lighting that I hope to put up when we line the walls. 

Above is a photo of the lighting I purchased. The black set of three LED lights at the top and the single at the bottom are what are going into the genkan to replace the standard fittings. 

So as you can see, it has been a productive month and there is still plenty of work to do. 

Stay safe, everyone. 

A Japanese Garden

I find some of my latest posts moving away from budo as I explore some other aspects of Japanese culture. My latest project is building a Japanese garden opposite the entrance to my dojo on my property. I have played around with designing a garden like this before but without much success. This time, I made sure to read more and really define the space I will be using. I have been inspired by the gardens I did see while overseas and the local nurseries and landscape places have also given me ideas. Finally, I am at a stage in my life where I have the time and money to put something together I can be proud of. 

I first had to decide on the type of Japanese garden I was going to make. This was largely decided by the space I was using. I had cleared an area that approached the door to our house but can be viewed from the entrance of my dojo. It is not a big space, a narrow shape of about 4-5 square meters with a tall fence backing it. I wanted a pleasant view from the dojo door but the garden had to appeal to someone walking alongside the garden entering my home. 

There appears to be four or five styles to consider (depending on what book you read). Pond gardens (also called hill and pond) have a body of water as their main feature. I had already decided that the area I was using would not have water, so this style was out. Dry gardens use rocks, moss, pebbles and sand to create miniature landscapes. I could certainly use elements from this style. Tea gardens create an atmosphere of seclusion and often have paths, lanterns and water basins through them. My space was not large enough for this style. Stroll gardens incorporate many aspects of other styles and encourage the visitor to move along paths gaining different scenes from alternative angles. They usually require a large space, no good for me but some of the ideas could be used. Finally, the courtyard garden style is simple and designed to fit into a small space. This was a good option for me.

Starting to put garden elements into the space. 

After some consideration I decided to base my style mainly on courtyard gardens as they do bring in elements from other styles and I like the simple design used. I decided upon using large rocks, an existing miniature Japanese Maple, a non-invasive, clumping bamboo called Bambusa, a type of hardy moss called Schleranthus biflorus and some other plants that would allow for ground cover and splashes of colour all year round. Finally, to really make the features 'pop', I used white and pale blue river stones in the empty spaces.

White and blue stones showcase this large rock that is skirted by moss.

To make this garden easier to maintain, I placed rich compost down and covered this with weed-mat. This was my blank canvas. I took my time placing stones and adjusting them until I was happy with the views from my key viewing spots (the dojo and the path alongside it). Then I cut holes in the weed mat and 'planted' the rocks by slightly burying them to hold them in place. Large rocks represent mountain elements of a miniature landscape so I had to keep this in mind as I chose my rock shape and position. In the picture above Schleranthus became the forest around the mountain and the white and blue stones symbolise the water around this mountain island. Larger grey river stones frame the whole garden, providing contrast and keeping the smaller white stones in place.

Other plants included a type of Azalea called Mardi Gras that produces red flowers edged with white and displays from autumn to spring. This means when the Maple drops its leaves and loses colour, the Azalea brings the garden alive again with its flowers. For ground cover, I introduced Ceanothus 'Diamond Heights'. This plant has green and gold leaves that displays pale blue flowers in spring. As the Azalea forms a small bush that grows to about 40 cm in height, I planted it towards the 'background' of the garden with the Ceanothus to the foreground. Finally, I planted an Acacia cognata 'Limelight' as a feature plant. It grows 0.8 m by 0.8 m and has delicate lime green weeping foliage.

The young Azalea surrounded by the white and blue stone.

As the garden is on the Southern (and therefore shady) side of the house all the plants prefer part shade or full shade except the Acacia. This plant I placed furthermost from the shadow of the house in a hope it gets the full sun it needs. 

With six 20kg bags of stone down, the garden is taking shape. 

I tried to create symmetry in the space but at the same time follow the rule of odd numbers that are found in Japanese gardens. So I have standing stones at either end of the garden. A lone stone near the house and a set of three stones at the other end. I have an Azalea planted behind a Ceanothus but off-centre to each other. This paired arrangement is found in both sections of the garden. Finally, I have singular features around the garden. The mound and adjoining maple are one (I hope to get a suitable stone ornament to place on the mound). The single Acacia is another and finally the bamboo residing at the back will become a 3 metre tall presence.

The completed garden viewed from the dojo doorway.

The completed garden looks out of balance with all the white stone (about 240 kg worth) but as the plants grow and get larger, I am confident the desired look will appear. Now all I have to do is wait.

Set of three stones standing watch at one end of the garden.